Taylor Momsen appears in a four‑look Numéro Netherlands digital shoot (Nov 2025), mixing leather, lace, vinyl and gothic‑romantic corsetry for an editorial study in contrast.
On a crisp November digital spread for Numéro Netherlands, Taylor Momsen fronts a multi‑look studio set that contrasts hard and delicate vocabularies: cropped leather and thigh‑high boots meet corsetry and lace; vinyl mini‑dresses collide with flowing white lace gowns. The plain white backdrop focuses attention on texture, silhouette and layered accessories, turning each look into a clear editorial statement.
Emily Hall fronts a multi‑look Bare Magazine editorial (Nov 2025) that pairs lace‑up corsetry, cropped black separates, and quiet domestic tableaux for a study in textured restraint.
Emily Hall’s November feature for The Bare Magazine unfolds as a trio of composed vignettes where domestic settings become stages for tactile dressing. Across garden‑adjacent and window‑lit interiors, the shoot privileges lace‑up details, corsetry lines, and a restrained palette to create an intimate editorial that reads like contemporary cottagecore reimagined through minimalist, slightly gothic punctuation.
Riley Keough wore a cropped blazer, sheer decorative top, buttoned skirt, and two-tone heels at Netflix’s Jay Kelly premiere in Los Angeles on November 11, 2025.
On November 11, 2025, Riley Keough attended Netflix’s Jay Kelly premiere at the Egyptian Theatre in Los Angeles, arriving in a look that fused red carpet fashion-coded polish with celebrity look-coded modernity.
She wore a black cropped blazer with silver buttons over a sheer top featuring decorative detailing, paired with a matching black skirt finished with coordinating buttons and beige-and-black high-heeled shoes. The ensemble projected red carpet arrivals-coded sophistication, situating her presence within a narrative of press event style-coded poise.
