Taylor Momsen turned the streets of New York into her personal runway—her sheer white dress and platform boots screamed post-punk priestess with a dash of divine defiance.
Taylor Momsen doesn’t just wear clothes—she weaponizes them. On September 11, 2025, the singer-actress was spotted in New York outside the historic Williamsburgh Savings Bank, and her look was anything but reserved. In a city that thrives on contrast, Momsen delivered a visual manifesto: ethereal, provocative, and unmistakably hers.
Let’s start with the dress. A sheer, floor-length white gown that clung to her frame like a whisper, revealing a bandeau top and matching undergarments beneath. The fabric—lightweight and translucent—moved with her like smoke, catching the light and casting shadows that felt almost cinematic. It was bridal, if the bride had just walked out of a rock opera.
But Momsen didn’t stop at softness. She grounded the look with black platform boots—chunky, unapologetic, and dripping with attitude. The footwear choice wasn’t just practical; it was a deliberate clash, a reminder that she’s never been one for clean binaries. Angel or anarchist? Why choose.
Her hair, long and light-colored, hung loose with a wet, undone texture that added to the rawness of the moment. Makeup was heavy on the eyes—dark liner, smoky shadow, and a gaze that could cut through concrete. No jewelry, no distractions. Just presence.
Olivia Dunne’s city-stroll entrance at Kate Barton’s NYFW show was pure fashion theater—her glimmering blue mini dress felt like a wink to early-aughts pop royalty.
Olivia Dunne doesn’t just walk—she glides, and on September 11, 2025, the streets of New York became her runway. Arriving for the Kate Barton fashion show, Dunne turned heads in a look that felt like a love letter to Y2K glamour, reimagined through a modern, minimalist lens.
Her outfit? A shimmering light blue mini dress with thin straps and a delicate bow detail at the chest. The fabric caught the sunlight like it had something to say—iridescent, playful, and unapologetically pretty. The silhouette was classic Dunne: fitted, flirty, and just structured enough to feel intentional.
She paired the dress with white high-heeled sandals—clean, sculptural, and perfectly in sync with the dress’s airy vibe. A small handbag, understated and chic, completed the look without competing for attention. No jewelry, no over-styling. Just balance.
Dunne’s pose—mid-stride, confident, almost cinematic—channeled the kind of street style moment that feels both spontaneous and editorial. The backdrop of parked cars, yellow taxis, and curious onlookers only amplified the mood: this wasn’t just fashion week, it was a scene.
Rosé, ever a master of artistic duality, unveils a new chapter in her style file—a moody, minimalist turn for her inaugural GQ Hong Kong cover. She wasn’t simply on a magazine cover; she was making a powerful statement of quiet confidence, a theme that has defined her recent evolution as an artist.
For her September 2025 “Refined to Perfection” feature, Rosé opted for a sleek and sophisticated aesthetic that was a sharp turn from her more colorful red carpet moments. The look was defined by a tailored silhouette and a luxurious, dark fabric that draped her form, creating an aura of effortless elegance. Rather than relying on overt drama, the power of the outfit was in its refined simplicity, speaking to a mature and intentional approach to fashion.
The subtle brilliance of the ensemble was amplified by her choice of accessories. As a global ambassador for Tiffany & Co., she sparkled in an array of pieces from the jeweler’s collections. The strategic placement of a Tiffany HardWear necklace and an array of rings created a stunning contrast against the dark garment, proving that sometimes, the most refined moments come from the most precise details.
