Tessa Thompson appears in Collider’s January 2026 editorial, photographed by Stephanie Diani in a sharp black suit against a whimsical pink backdrop.
January 2026. A pink chair, velvet‑trimmed, nailhead details catching light. Wallpaper behind her, pastoral scenes in soft pink tones, trees and landscapes repeating. Tessa Thompson seated, black suit crisp, white shirt clean, tie straight.
Her posture: one arm on the table, the other resting against the chair. Confident, but not stiff. Shoes unseen, but presence grounded. Hair brushed to one side, lipstick red, cutting through the muted palette.
Tessa Thompson wore a strapless grey Monse dress with Christian Louboutin pumps at the Golden Eve event in Beverly Hills on Tuesday.
Tessa Thompson arrived at the “Golden Eve” celebration in Beverly Hills on Tuesday—a night ostensibly honoring titans Helen Mirren and Sarah Jessica Parker—wearing a garment that felt less like a celebration and more like a clever argument. She selected a Monse Pre-Fall 2026 Dress , a piece of sartorial origami constructed from what appears to be traditional grey menswear flannel. It’s a strapless column that refuses to fall straight, interrupted by a complex, asymmetrical fold at the hip that mimics the lapel of a deconstructed blazer.
Suzanna Son appears in WWD’s May 2025 issue, photographed in a striking mix of leather, denim, and bold lipstick against a velvet curtain backdrop.
May 2025. Dark blue velvet curtain pulled tight, heavy folds catching light. Suzanna Son standing in front, outfit sharp, posture steady.
Her look: black leather jacket, cropped and stiff. Light blue jeans, casual but deliberate. Black high‑heeled shoes grounding the frame. Hair swept to one side, lipstick red, cutting through the muted palette. No jewelry visible, no glitter. Just leather, denim, and presence.
