Tessa Thompson wore a Schiaparelli Fitted Jacket and Pencil Skirt for the LA Times Women in Film Issue, December 2025.
For the LA Times Women In Film Issue, December 2025, Tessa Thompson delivers a celebrity photoshoot moment that channels the power and precision of modern couture. Captured in a velvet-draped studio portrait , Thompson wears a cream Schiaparelli Fitted Jacket with a deep V-neckline and bold, sculptural gold buttons—an unmistakable nod to the house’s surrealist heritage. The jacket’s sharp tailoring is balanced by a matching Schiaparelli Pencil Skirt , creating a streamlined silhouette that is both classic and forward-thinking. The monochrome palette allows the intricate details—like the statement buttons and the subtle structure of the fabric—to take center stage.
Zara Larsson stars in a fashion photoshoot for Hunger Magazine, showcasing multiple styled shoot concepts with editorial precision.
In Hunger Magazine’s Issue 37, Zara Larsson delivers a celebrity photoshoot that fuses pop icon energy with avant-garde editorialism. Shot by Rankin, the December 2025 spread is a visual manifesto—each look a distinct mood, each pose a declaration. Larsson’s presence is magnetic, her styling choices bold, and the overall composition unapologetically high fashion.
Look One: Crimson Fringe Provocation
Look Two: Silken Spotlight Romance
Look Three: Metallic Blue Futurism
Sydney Sweeney wore a Zimmermann Hypnotic Satin Shirt and Lace-Trimmed Skirt with Saint Laurent Romy Mules for the LA Times Women in Film Issue, December 2025.
For the LA Times Women In Film Issue, December 2025, Sydney Sweeney delivers a celebrity photoshoot moment that is both romantic and editorially sharp. Captured in a textured, painterly studio portrait , Sweeney wears the Zimmermann Hypnotic Satin Shirt in a rich caramel tone, its fluid drape and elongated cuffs lending a sense of relaxed luxury. The shirt is paired with the Zimmermann Hypnotic Satin Lace-Trimmed Skirt, a high-low design that layers delicate cream lace beneath the satin, creating a play of texture and movement. Completing the look, Sweeney steps into Saint Laurent Romy Mules —minimalist, open-toe heels that ground the ensemble with a modern edge.
Her styling is as considered as her wardrobe: a sleek, center-parted bob frames her face, while the makeup is kept soft and luminous, allowing the golden hues of the outfit to take center stage. The overall effect is one of effortless sophistication, balancing the vintage romance of lace with the contemporary polish of satin—a signature of Sweeney’s evolving high fashion identity.
