Teyana Taylor wore a Saint Laurent Fall 2025 menswear look with a brown blazer, fur stole, striped tie, and thigh‑high boots at the 31st Annual Critics Choice Awards in Santa Monica 2026.
Santa Monica, January 4th. Black carpet, backdrop stamped with FIJI, milagro, Critics Choice Awards logos. Teyana Taylor stood there in a look that felt blunt, layered, almost rebellious.
Brown blazer, tailored but softened by a black fur stole draped across. White shirt underneath, red and black striped tie cutting through the center. Black leather gloves, sharp, almost militant. And then the boots — thigh‑high, leather, heavy, carrying the outfit into something more forceful.
Accessories pared down but deliberate. Tiffany & Co. diamond studs, small glints against the fur. Sixteen Stone platinum ring, subtle but steady. Jewelry didn’t overwhelm, just flickered against the darker tones.
Nicole Brydon Bloom wore a sleeveless shimmering gown with thin straps at the 31st Annual Critics Choice Awards in Santa Monica on January 4, 2026.
Santa Monica, January 4th. Black carpet, backdrop stamped with FIJI, milagro, Critics Choice Awards logos. Nicole Brydon Bloom stood there in a gown that felt steady, simple, almost stubborn in its shimmer.
Floor‑length, sleeveless, thin straps. Fabric catching light, metallic sheen running across the surface. The gown hung straight, no heavy embellishment, no sequins beyond the shimmer itself. Shoes hidden beneath the hem. Hair styled natural, loose. Jewelry not obvious, no clutch in hand.
Wunmi Mosaku wore a floor‑length ombré blue gown with off‑shoulder straps, dramatic draping, and statement jewelry at the 31st Annual Critics Choice Awards in Santa Monica 2026.
Santa Monica, January 4th. Black carpet, backdrop stamped with FIJI, milagro, Critics Choice Awards logos. Wunmi Mosaku stood there in a gown that felt heavy with fabric but light in tone.
Dark blue, floor‑length, ombré fading into softer shades at the hem. Draped folds across the bodice, gathered, almost sculptural. Off‑shoulder straps framing the neckline, leaving shoulders bare. The fabric carried movement, even when still.
