Teyana Taylor poses for Carin Backoff in a studio portrait pairing a strapless black top with light‑blue fur‑cuffed jeans and white red‑soled heels, merging streetwear attitude with editorial polish.
Against a stark white backdrop for ELLE USA’s Women in Hollywood feature, Teyana Taylor delivers a compact styling statement that fuses urban denim codes with couture signifiers. The composition is deliberately spare—letting silhouette, texture, and the subject’s presence steer the frame.
Upper line: A fitted black strapless top creates a clean, sculptural upper silhouette that contrasts with the relaxed cut of the jeans.
Denim detail: Light‑blue jeans feature a conspicuous fur trim at the cuffs, an editorial tweak that reframes casual denim as playful couture.
Footwear: White open‑toe high heels with visible red soles punctuate the lower line and introduce a luxe finish that elevates the overall edit.
Personal markers: Long curly hair and visible tattoos at the torso and lower back act as signature details, rooting the image in Teyana’s individual style.
Composition: The turned‑away pose with a glance back adds tension and movement, letting the jeans’ cuff detail and the heel’s profile read clearly for editorial reproduction.
Teyana Taylor poses against a blue backdrop in a glossy mid‑calf blue button‑up dress, rhinestone‑trim sunglasses, and white open‑toe heels — a bold, retro‑glam studio portrait.
Teyana Taylor posed for Carin Backoff in ELLE USA’s Women in Hollywood issue, wearing a glossy blue two‑piece ensemble styled with statement sunglasses, luxe heels, and a diamond cuff bracelet.
For ELLE USA’s Women in Hollywood November 2025 issue , Teyana Taylor delivers a bold studio portrait that fuses high fashion-coded polish with styled shoot-coded confidence . Against a solid blue backdrop, she wears a shiny, bright blue button-up top paired with a matching high-waisted skirt , both rendered in a glossy finish that reads futuristic and editorial.
Her pose — one hand at the neck, the other pocketed — amplifies the look’s sculptural quality, while oversized square-frame sunglasses and white open-toe heels punctuate the ensemble with deliberate contrasts.
Outfit: A short-sleeved, button-up top and high-waisted skirt in glossy blue, likely from Willy Chavarria Spring 2026 , designed to emphasize silhouette and sheen.
Footwear: White open-toe high heels, consistent with Christian Louboutin Me Dolly leather mules , elongating the leg line and adding luxury punctuation.
Eyewear: Oversized Saint Laurent square-frame pilot glasses with rhinestone embellishment, functioning as a retro-glam accent.
Jewelry: A Bvlgari Tubogas 18K gold cuff bracelet with 0.35 tcw diamonds , understated yet luminous against the saturated palette.
Styling: Long curly hair softens the glossy textures, while minimal makeup allows the accessories and fabric finish to dominate.
Nina Dobrev wore a floor‑length red gown with matching detached sleeves in a Salim Boubakri photoshoot, pairing dramatic couture lines with a modern interior tableau.
For a November 2025 session with photographer Salim Boubakri, Nina Dobrev posed in a statement red gown that reads like a study in color and silhouette. The look pairs a fitted, sculptural bodice with a voluminous skirt and matching red sleeves that appear detached or uniquely styled, producing a couture moment that is both theatrical and composed within an understated domestic interior.
Dress: A floor‑length scarlet gown with a fitted upper body that flares into a dramatic skirt; the fabric holds structure, suggesting couture construction designed for photographic presence.
Sleeves: Matching red sleeves worn separately or styled as detachable elements introduce an editorial twist—adding graphic arms‑length lines without interrupting the gown’s sculptural torso.
Hair and Accessories: Long, straight dark hair and an intentionally pared accessory approach keep the frame focused on color and form.
Set: The shoot is staged in a refined interior—light wood herringbone floor, neutral sectional sofa, geometric rug, and a grid of black‑and‑white framed prints—creating a measured contrast that amplifies the gown’s intensity.
