Tinashe performed at Sol de Janeiro’s 2025 Holiday launch in New York wearing a cropped beige jacket, shiny gold top, and ruched white trousers, blending stage polish with streetwise ease.
At Sol de Janeiro’s Holiday Launch in New York on November 11, 2025, Tinashe took the stage in a look that married performance pragmatism with glossy, tropical‑brand glamour. Under marquee lights and in front of a beaded curtain and the brand’s bright signage, she wore a cropped beige jacket layered over a reflective gold top and high‑waisted, ruched white pants—an ensemble designed to read on camera and in motion.
Top layer: A cropped beige jacket introduces soft, neutral structure that balances the outfit and acts as a stage‑ready topper for movement.
Core piece: The shiny gold top provides reflective highlights under stage lights, ensuring Tinashe reads vividly from the house and on camera.
Bottoms and footwear: High‑waisted ruched white pants elongate the leg while adding textural interest; pointed white shoes complete the look with a streamlined finish.
Set and props: A beaded/chained curtain and the bold yellow SOL DE JANEIRO sign frame the performance, turning costume into promotional tableau.
Styling: Minimal visible jewelry and sleek hair allow the metallic and textural contrasts to dominate; makeup is stage‑calibrated for bright lights.
Nina Dobrev wore a floor‑length red gown with matching detached sleeves in a Salim Boubakri photoshoot, pairing dramatic couture lines with a modern interior tableau.
For a November 2025 session with photographer Salim Boubakri, Nina Dobrev posed in a statement red gown that reads like a study in color and silhouette. The look pairs a fitted, sculptural bodice with a voluminous skirt and matching red sleeves that appear detached or uniquely styled, producing a couture moment that is both theatrical and composed within an understated domestic interior.
Dress: A floor‑length scarlet gown with a fitted upper body that flares into a dramatic skirt; the fabric holds structure, suggesting couture construction designed for photographic presence.
Sleeves: Matching red sleeves worn separately or styled as detachable elements introduce an editorial twist—adding graphic arms‑length lines without interrupting the gown’s sculptural torso.
Hair and Accessories: Long, straight dark hair and an intentionally pared accessory approach keep the frame focused on color and form.
Set: The shoot is staged in a refined interior—light wood herringbone floor, neutral sectional sofa, geometric rug, and a grid of black‑and‑white framed prints—creating a measured contrast that amplifies the gown’s intensity.
Ali Larter arrived at the Paramount+ Landman Season 2 premiere in a reflective silver one‑sleeve gown that read futuristic and red‑carpet ready under New York lights.
On November 11, 2025, Ali Larter attended the Paramount+ premiere for Landman Season 2 at Alice Tully Hall, Lincoln Center, stepping onto the carpet in a striking metallic silver gown. The one‑sleeve silhouette caught and reflected light, creating a cinematic, almost futuristic sheen that made the outfit read like an intentional statement piece for a high‑profile television launch.
Gown: A floor‑length, metallic silver dress with a single sleeve; the fabric’s high‑reflectance finish amplifies movement and produces strong highlights under event lighting.
Silhouette: The one‑sleeve cut creates asymmetric interest, balancing covered structure with exposed armline for both drama and modernity.
Accessories & Styling: Minimal visible jewelry and a sleek styling approach let the gown dominate; hair and makeup are calibrated to complement the dress’ reflective properties rather than compete with them.
Red‑Carpet Context: Against a textured backdrop branded for Paramount+ and the premiere, the gown functions as both costume and moment photograph—designed to register on camera and in press frames.
