Tracy Lear attended the Los Angeles screening of Dead Man’s Wire at AMC The Grove 14 on January 7, 2026, wearing a slate‑blue

Los Angeles, January 7. Tracy Lear on the red carpet, slate‑blue fabric layered, flowing. A deep V‑neckline cutting sharp, sleeves long, boots black and tall beneath.

Her look: textured, almost storm‑like. The gown moved with her, folds catching light, fabric heavy but not stiff. A metallic snakeskin handbag with chain strap swung at her side, jewelry glinting — necklace, bracelet, small but deliberate. Hair long, blonde, waves loose.

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Veronica Ferres attended the Los Angeles screening of Dead Man’s Wire at AMC The Grove 14 on January 7, 2026, wearing a sleek black suit.

Los Angeles, January 7. Veronica Ferres on the carpet, backdrop marked with bold lettering. A black suit, tailored, sharp lines. Underneath, a black top, minimal, no fuss. White shoes breaking the monochrome, a deliberate interruption.

Her look: restrained, almost severe. The suit carried weight, fabric matte, cut clean. Hair styled neat, makeup balanced, presence steady. No glitter, no sprawling gown. Just a red carpet fashion choice that leaned into structure rather than spectacle.

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Katherine LaNasa attended HBO Max’s The Pitt premiere at DGA Theater in Los Angeles on January 7, 2026, wearing a bold red dress.

Los Angeles, January 7. Katherine LaNasa on the carpet, backdrop dark, letters looming. A form‑fitting red dress, off‑the‑shoulder, folded detail across the chest. Bright, sharp, unapologetic.

Her look: sleek silhouette, fabric hugging lines without fuss. Black pointed‑toe heels steady, clutch in hand, small and practical. Hair long, straight, blonde, falling clean. Makeup restrained, the red dress doing most of the talking.

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