Tyla wore a plunging black cut-out gown with Jacob & Co. jewelry to the 68th GRAMMY Awards Pre-GRAMMY Gala in Beverly Hills in 2026.
At the 68th GRAMMY Awards Pre-GRAMMY Gala & Industry Salute in Beverly Hills on January 31, Tyla made clear that the warm-up to Grammy night could carry just as much heat. The South African star, fresh off a nomination for Best African Music Performance, arrived in a look that didn’t so much whisper confidence as cut it straight across the silhouette.
She wore a plunging black gown with deep cut-outs running along the sides and hips, stitched together mostly by intention. The neckline plunged fully, looping around the neck and leaving the mid-torso entirely bare. No fabric on the sides. Just skin, structure, and frankly — gravity-defying design. From the waist, the skirt fell in a soft and slinky drape, hiding nothing but moving clean. A slim black belt, almost an afterthought, cinched the midpoint with quiet precision.
Then came the finish — Jacob & Co.’s Ashoka Cut Diamond and Paraiba earrings , drops that caught the light without competing with the dress’s geometry. On the wrist, a pink sapphire and diamond boutique watch from the same house. Not showy. Just sharp.
Her neon chrome yellow nails? Reckless in the best possible way. Irreverent. The kind of detail that breaks a look out of the editorial and into personality . Hair left long and brushed through at the ends. Makeup just a single flick of liner and weightless skin.
The look wasn’t loud — but it didn’t blink either. This was Tyla knowing exactly what moment she’s walking into, and what it takes to own one.
Selena Gomez wore a black satin Magda Butrym blazer dress with sheer tights and heels to celebrate Rare Beauty’s Ulta launch on January 31, 2026.
At the official Rare Beauty x Ulta launch event in El Segundo, California, on January 31, 2026, Selena Gomez didn’t treat the red carpet like just another press stop — she owned it. Posing against a berry-toned backdrop that screamed product launch chic, she wore a black satin blazer dress by Magda Butrym , cut with sharp shoulders, a nipped-in waist, and one sculptural flourish: an oversized floral appliqué blooming from her hip like a silent punctuation mark.
The dress balanced structure and softness — tailored like a power suit, but styled as a party piece. Sheer black tights kept the visual line clean while adding just enough texture. Black pointed pumps with gold embellishment grounded the look, offering a wink of shine without stealing attention.
The whole thing worked like a meta-statement — beauty brand founder showing up in a look that says “editor-in-chief after hours.” No flashy branding. No literal makeup tie-ins. Just confidence shaped into satin folds. Hair worn dead straight , center-parted, anchored the overall symmetry. And because it’s a Rare Beauty event, the makeup? Obviously on point — sculpted skin, soft neutral blush, classic nude gloss, and a smudged cat eye sharp enough to sign a licensing deal.
You could call it press event style or chalk it up to front row fashion , but these are technical labels. What Selena wore was more precise than promotion — the look of a woman threading legacy through product, platform, and presence.
Emily Ratajkowski wore a belted black padded coat with faux fur and snow boots to the Moncler Grenoble FW26 show in Aspen, January 2026.
At the height of winter in Aspen, Emily Ratajkowski arrived at the Moncler Grenoble FW26 runway show wearing snow gear that didn’t just whisper warmth — it wrapped itself in it. She wore a black padded puffer coat , belted tightly at the waist, with a full faux fur overlay that spilled over the shoulders and sleeves like it had never heard of minimalism. It was more winter armor than outerwear — voluminous, shapely, unapologetically heavy.
Below, a matching black quilted midi skirt , paneled with vertical strips of the same plush faux fur, echoed the structure without softening the silhouette. The skirt hit mid-calf, trimmed to move—not swing. Her legs, fully covered in matte black tights, carried the look from heavy to grounded.
And then came the snow boots . Thick-soled black mountaineering hybrids, cinched tight with chunky white-and-black cords, built for impact. They weren’t ironic. They were necessary. For once, footwear that didn’t try to win but to survive.
Her hair was worn down but clean, center-parted with blunt control. No jewelry, no bold makeup, no gloss — just flushed skin and black layers designed for below-freezing photo ops. If there’s a term for this, it’s not “glam”—it’s glacier gear, styled like streetwear.
In a show built on insulation and alpine identity, Emily’s look was movement-ready static — padded, strapped, belted, and left to quietly own the cold.
