Uma Thurman was spotted in London on January 21, 2026, wearing a gray raincoat with a striped scarf and neutral-toned winter layers.
London rain. Light but persistent. Uma Thurman stands under a wide gray umbrella, half-hidden in its dome of quiet practicality. There’s something contemplative about her mood — no rush, no performance.
She wears a long slate gray raincoat , the type that blurs shape and form but suggests purpose. Underneath, a hint of warmth appears: a beige knit sweater , sleeves peeked through the coat’s fold. Around her neck, a muted striped scarf — tones of cream, lilac, and blue — softens the stark layering. Her hair is partially wrapped, adding another level of texture to the otherwise faint palette.
Thurman’s glasses — oversized, clear-framed — lend an academic sharpness to the look, practical yet surprisingly distinct against her weather-ready clothing. In one hand she clutches her phone; in the other, the umbrella’s handle, steady.
Hilary Duff wore a plush brown shearling coat over a tonal lounge set while arriving at Toronto Airport on January 22, 2026.
In a refreshingly practical spin on celebrity street style , Hilary Duff touched down in Toronto on January 22, 2026 wrapped in a floor-skimming shearling coat the colour of fresh espresso foam. Underneath, a matching zip-up jacket and wide-leg pants formed a monochrome shell suit–soft, roomy, zero fuss. Tan suede slippers scuffed across the terminal tiles, a quilted chain-strap bag peeked from behind her arm, and small cat-eye sunglasses plus a single pearl stud kept the top half polished.
The proportions work because everything slouches together–coat, trousers, even the soft footwear–so nothing competes. Colour unity keeps it from feeling sloppy; texture variance (matte fleece against plush shearling) gives the eye somewhere to land. If there’s a quibble, it’s the slipper-level footwear: practical, yes, but one rogue puddle and the illusion of polish dissolves. Her look quietly argues that “off-duty” today is less about rebellion, more about treating public space like one’s own living room.
Style Dilemma: Does this head-to-toe brown read as mindful minimalism or simply safe neutrality?
Amelia Hamlin was spotted in Los Angeles on January 22, 2026, wearing a black leather jacket with sheer red lace pants and sporty sunglasses.
Some lights in Los Angeles make clothes look tougher than they are. Amelia Hamlin steps into that glow — sharp, self-directed, half runway, half underground movie still.
The core of the outfit is blunt: a black leather jacket zipped just low enough to show midriff, the seams rigid, burnished slightly under the flash. It carries that cold gloss of biker leather; armor turned fashion. Below it, the sharp shift to contrast — sheer red lace pants , slashed, uneven, half destroyed by design. The fabric bunches and tears along the shins like smoke trails or raw edges on film stock, the base color deep as a bruise. The transparency leaves no illusion of modest layering — it’s meant to blur the line between dress and disguise.
Her sleek black sunglasses , narrow and futuristic, link the look back to late-’90s nightlife references — more club basement than couture house. Long straight hair drapes forward like deliberate punctuation marks framing her face. There’s discipline to it, though nothing polite.
