Valeria Golino’s red carpet return was anything but quiet—her abstract metallic gown fused retro futurism with operatic flair, a visual crescendo at Venice’s 82nd edition.
There’s a certain kind of elegance that doesn’t beg for attention—it commands it. At the 82nd Venice International Film Festival on September 4, 2025, Valeria Golino stepped onto the red carpet with the kind of sartorial confidence that only decades of cinematic gravitas can earn. Her look? A masterclass in pattern, proportion, and presence.
The gown was a visual symphony: black, white, and metallic tones arranged in a radiating, feather-like motif that felt both organic and engineered. The fabric shimmered under the festival lights, catching every camera flash like a constellation in motion. The silhouette was deceptively simple—three-quarter sleeves and a flowing skirt—but the print’s kinetic energy gave it architectural weight. It was less a dress, more a wearable installation.
Accessories were chosen with precision. A statement necklace anchored the neckline, echoing the geometric rhythm of the gown, while earrings added a subtle glint without competing for attention. Golino’s short curls framed her face with a softness that balanced the boldness of the ensemble—think 1930s screen siren meets avant-garde futurist.
In a sea of predictable silhouettes and safe palettes, Golino’s look felt like a bold punctuation mark. It’s the kind of fashion moment that belongs not just in galleries, but in the evolving archive of red carpet history.
Never one to be boxed in by her on-screen personas, Madeleine McGraw’s editorial for Numéro Netherlands (a title that, it must be said, is carving out a truly unique space in the fashion world) debuts a new kind of glamorous vulnerability.
The shoot, lensed by photographer Dylan Perlot, feels less like a traditional fashion spread and more like an intimate lookbook of a woman in flux. The lighting is soft and natural, casting long, dramatic shadows that play with the textures of each piece. This is fashion as a character study, a series of vignettes that reveal a quiet strength and a deep, introspective mood.
The first look offers a dramatic silhouette—a black silk slip dress paired with a floor-length faux fur coat. The coat, with its thick, alternating stripes of gray and white, gives a nod to old Hollywood glamour but with a modern, animal-friendly twist. The fabric looks incredibly plush and tactile, creating a powerful, almost regal presence as she poses low to the ground. The simple black dress underneath provides a sleek, dark canvas, allowing the coat to command the spotlight. She accessorizes with minimal jewelry and pointed-toe black heels, keeping the focus squarely on the bold outerwear.
The second outfit transitions to a softer, more playful aesthetic. She reclines on a crisp white bed, wearing a light blue tweed two-piece set—a cropped jacket and a pleated mini-skirt. The fabric is flecked with shimmering silver threads, adding a subtle sparkle. The look is a masterclass in modern-day Chanel-esque chic, but with an edgy twist from a chain belt draped loosely around her waist. Her hair is styled with a simple white bow, a girlish detail that beautifully contrasts with the sophisticated tailoring of the tweed.
The third and final look is a whimsical plunge into fantasy. She wears a striking, beaded mini-dress that looks like it was plucked from an underwater dreamscape. The dress is a work of art, with intricate beadwork depicting coral reefs, seashells, and tiny, delicate fish in soft pinks and oranges against a light blue backdrop. A stunning golden sunburst detail on one shoulder adds a celestial touch. This outfit completely shifts the narrative, moving from the grounded glamour of the first two looks to a surreal, ethereal moment. Her makeup—smoky eyes with a hint of shimmer—and tousled, voluminous hair complete the otherworldly vision.
Never one to play it safe, Tessa Thompson’s latest editorial for S Magazine proves she is still a fashion force, deftly fusing classic sophistication with a modern, edgy sensibility. The ‘Film Issue’ spread for Fall 2025 captures the actor in a series of looks that are both aspirational and deeply personal.
Thompson’s fashion narrative for the magazine is a masterclass in contrasts, weaving together soft textures with sharp tailoring. The first look sees her in a pristine white bouclé jacket, its tactile surface dotted with small, dark buttons. This Chanel-esque piece has a slightly oversized, structured silhouette that balances its delicate feel. A cascading, statement necklace of oversized pearls and gold beads adds a whimsical, almost regal touch, drawing the eye down and creating a striking vertical line. Her hair, long and straight, frames her face, and her makeup—a smoked-out eye and a subtle nude lip—lends a quiet intensity to the portrait. This look is about subtle power, a quiet command of both elegance and attitude.
In another shot, Thompson completely transforms her vibe, trading the polished jacket for a more rugged, earth-toned ensemble. A ribbed knit tank in a warm taupe is paired with a matching flowing skirt, cinched at the waist with a thick, dark leather belt. The most unexpected element? Long, glove-like leather arm gauntlets that lend an almost post-apocalyptic or medieval feel to the outfit, suggesting a narrative beyond simple style. Is this couture’s nod to warrior chic? The pose is direct, confident, and unapologetic, with a gaze that holds the camera’s attention.
The final, and perhaps most impactful, look from the cover shows her in a vibrant red coat , its loose, fluid form creating a powerful silhouette. She holds the lapel with a nonchalant grace, revealing a graphic, black-and-white patterned top underneath. This bold, singular piece of outerwear acts as a statement, a pop of defiant color against an otherwise moody backdrop. The styling is impeccable, with a sense of deliberate contrast that is a hallmark of her most compelling celebrity fashion moments.
