Vedhika Kumar trades red carpet drama for sunlit serenity—her latest beachside look is a masterclass in restraint, texture, and the art of letting skin breathe.
There’s something quietly radical about a celebrity who knows when to step back and let the setting speak. Vedhika Kumar, photographed on a rocky shoreline with the Indian Ocean unfurling behind her, does just that—her pose, her palette, her presence all tuned to the rhythm of the tropics.
The brown bikini she wears is deceptively simple: a matte finish with clean lines, no embellishment, no fuss. The cut is classic—low-rise bottoms and a triangle top—but the execution feels elevated. It’s the kind of silhouette that recalls early Calvin Klein minimalism, yet softened by the warmth of the setting. No visible logos, no aggressive branding. Just fabric, form, and confidence.
Her hair is left natural, cascading in soft waves that catch the breeze. Makeup, if any, is imperceptible—perhaps just a touch of bronzer and lip balm. The overall effect is cohesive and intentional. Nothing distracts. Everything breathes.
For more moments like this, explore our curated gallery of celebrity photos .
Never one to shy from spectacle—or a perfectly curated moment—this long-awaited (and honestly, nostalgic) reveal of Rihanna in her 2005 Anthony Cutajar outtakes takes us straight back to the dawn of a pop revolution.
The first glimpse of these photos felt like finding a lost time capsule. This isn’t the Rihanna of today, the boundary-breaking couture queen. This is Rih in her nascent form, a fresh-faced star on the cusp of global domination, effortlessly embodying the very essence of celebrity fashion circa 2005. There is an authenticity here, a raw, unstudied cool that feels almost foreign in the age of meticulous styling. It’s a powerful, almost wistful reminder of the Y2K era, captured with a casual intimacy that few high-fashion shoots achieve.
The look is a masterclass in the era’s signature blend of casual and confident. The outfit centers on a simple, textured black hooded top, its material appearing to be a plush fleece or velvet. But the true star of this throwback moment—the sartorial linchpin, if you will—is the pair of low-slung, light-wash denim. Upon closer inspection, the bold stitching on the back pockets immediately identifies them as the iconic True Religion jeans, a definitive piece of the mid-2000s uniform. The fit, with its relaxed bootcut flare and subtle fraying at the hem, is a testament to the era’s focus on lived-in, effortless cool. Paired with a thick, simple black belt featuring a large, oval metal buckle, the outfit is both a statement and an afterthought.
The accessories further ground this look in its moment. Her right wrist is adorned with a chunky, silver-toned watch that feels substantial and classic, while her left features a delicate, barely-there bracelet. The raw, unpolished mood of these celebrity photos is amplified by the simple styling: hair, a rich reddish-brown, is pulled up into the hoodie, with a few wisps framing her face. Her makeup is minimal and natural, a glossy lip being the most prominent feature, allowing her youthful exuberance to shine through. The atmosphere is relaxed, the light soft, and her pose—crouching slightly on the floor with a knowing, easy smile—exudes a quiet, magnetic energy.
This is a beautiful and honest portrait of a young artist just finding her footing. It is a world away from the theatrical, high-fashion presentations that would define her later career. It forces us to ask a question: In a world of carefully constructed images, is there still room for this kind of spontaneous, unpretentious elegance? It proves that even before the global brand and the runways, her innate sense of style was always there, simmering just beneath the surface.
Miley’s latest editorial for Margiela is a study in moody minimalism—oversized, undone, and unapologetically raw, like a punk poet lost in a Brutalist dream.
Maison Margiela has never been one for convention, and neither has Miley Cyrus. In the newly released AW25 campaign shoot, Cyrus channels a kind of post-structural elegance—part deconstructed dandy, part spectral icon. The image is stark, almost cinematic, with a chiaroscuro palette that feels more arthouse than ad spread.
Let’s start with the shirt. Oversized to the point of theatricality, the white button-down is a Margiela signature—exaggerated cuffs, a collar that borders on sculptural, and a deliberate unbuttoning that reveals just enough clavicle to suggest vulnerability without surrender. The fabric appears crisp, almost papery, catching the light in sharp folds that echo the geometry of the set behind her.
For those tracking the evolution of celebrity fashion , this shoot marks a pivot. Less sparkle, more substance. Less red carpet, more conceptual runway.
