Victoria Justice wore the Peppermayo Forever Radiant maxi dress and For Art’s Sake Hand Earrings at the Peppermayo 2025 holiday party.
Captured beside the glow of a rooftop pool under the December sky, Victoria Justice brought a sleek kind of holiday energy to the Peppermayo Christmas Party on December 18, 2025. Her choice? The Peppermayo Forever Radiant maxi dress — stark white, halter neck, open sides. A neckline that wraps high around the collarbone and plunges low at the sides with nothing in between. Minimalism? Technically, yes. But this wasn’t casual. It was curve-hugging, ultra-clean, focused.
The fabric doesn’t cling so much as it follows. Below the waist there’s enough drape to prevent it feeling costume-tight. But the upper half — from shoulder to side seam — is intentionally spare, held by the fewest seams required to qualify as “dress.” You can feel the absence here doing half the work. The rest comes from attitude.
There’s one flash of accessory: the For Art’s Sake Hand Earrings , their silhouette just barely visible against her pulled-back hair. Bare shoulders, bare arms, even the back is mostly cut out. This is an outfit designed for three things: flash photography, a slight breeze, and a perfectly timed head turn.
And that’s exactly what this look thrives on — small, simple drama played confidently. The glow of downtown Los Angeles spread far below gives it context: a party, yes, but with cinematic leanings. You could freeze this moment halfway between red carpet arrivals and a perfume commercial.
This kind of look isn’t about shouting — it’s about timing the whisper.
Emma Raducanu wore lilac shorts, a white cartoon-graphic tee, and bright training shoes during pre-match warmups at the 2026 Australian Open.
Melbourne’s January air — hot, fast, expectant — isn’t built for subtlety. Neither is a tennis court during Grand Slam prep. Which is exactly where Emma Raducanu was spotted on January 19, 2026, locked in during a practice session ahead of the Australian Open. There’s zero formality here. She’s not playing dress-up. This is function-first tennis gear — designed to stretch, sweat, breathe, and last.
The look? Light lilac training shorts, mid-thigh cut. A breezy cotton tee in graphic white, printed with playful, almost hand-doodled floral prints and cartoon-style motifs. The fit is relaxed — easy to move in, lightweight enough to beat dry heat off the hardcourts. No performance drama, no slick logo overload. Just a shirt that wouldn’t feel out of place on a teenager walking outside a Tokyo 7-Eleven. That offbeat.
Kelly Reilly wore a sheer black lace top and tailored trousers at the Under Salt Marsh screening in London in January 2026.
At the January 19, 2026 screening of Under Salt Marsh in London, Kelly Reilly delivered a pared-back yet deliberate take on red carpet fashion . The actor appeared in a sheer black lace top with scalloped edges and a deep plunge neckline — more blouse than gown, but no less calculated. The lace extended into fluttering cape sleeves, adding movement without chasing extravagance. She grounded the look with classic straight-cut trousers in dense black fabric that resisted sheen, allowing the top’s texture to hold visual dominance. Discreet pointed-toe heels — barely peeking from beneath — completed the ensemble.
This wasn’t a high-drama couture moment, and that felt telling. Reilly has never gravitated toward theatrical silhouettes or glitterbomb styling. With high-profile roles in atmospheric dramas — including Under Salt Marsh , which leans into slow dread and emotional unraveling — her public aesthetic often mirrors her onscreen restraint. The relaxed ease of her pulled-back bangs and soft gold drop earrings offered just enough character without feeling composed for the flashbulbs. In a red carpet era still dominated by amplified proportions and embedded trend codes, this quieter approach reads more like refusal than retreat.
