Victoria Justice brought cosmic charm to the Malibu Food & Wine Festival—her star-splashed gown, cut-out waist, and platform heels felt like astrology gone glam.
There’s something about Victoria Justice that makes even the most grounded event feel like a constellation moment. At the Malibu Food & Wine Festival on September 5, 2025, she didn’t just show up—she orbited. Her look was playful, polished, and just a little bit planetary.
Justice wore a sleeveless, floor-length black gown adorned with a vibrant celestial print—stars, moons, and sunbursts scattered across the fabric like a wearable night sky. The high neckline gave the dress a sense of structure, while the cut-out sides at the waist added a flash of modernity. The silhouette was fitted through the torso and hips before falling into a soft, flowing hem. The fabric appeared to be a lightweight crepe or silk blend, offering movement and breathability under the California sun. Designer attribution remains unconfirmed at press time.
She paired the look with black platform heels—bold, chunky, and perfect for grounding the ethereal print. Her small black handbag, worn with a chain strap, added a touch of edge without pulling focus. Jewelry was minimal, letting the dress’s pattern do the storytelling. The synergy between accessories and outfit was tight, intentional, and editorially sharp.
Celestial motifs have been orbiting fashion for seasons—from Dior’s zodiac embroidery to Rodarte’s moonlit gowns—but Justice’s take felt fresh. Less haute mysticism, more Malibu magic. It was a look that nodded to astrology’s pop resurgence while staying grounded in red carpet polish.
Her hair, styled in a sleek updo, kept the neckline clean and the focus on the gown’s print. Makeup leaned luminous: bronzed skin, soft shimmer on the lids, and a neutral lip. The overall styling was cohesive, radiant, and ready for both the cameras and the wine tastings.
Victoria Justice didn’t just wear stars—she aligned them. For more red carpet looks that blend whimsy with polish, explore our archive of celebrity style .
Ashley Olsen’s trench-style dress at the YES Scholars Gala was quiet luxury incarnate—neutral tones, clean tailoring, and a silhouette that whispered power.
Ashley Olsen doesn’t do red carpet theatrics. She does presence. At the YES Scholars 25th Anniversary Gala held at the Bel-Air Country Club on September 4, 2025, Olsen arrived in a look that felt like a masterclass in restraint—no sparkle, no fuss, just pure, distilled elegance.
There’s something about Olsen’s fashion language that resists the algorithm. It’s not about virality—it’s about longevity. And this look? It could’ve walked straight out of a 1990s Calvin Klein campaign or a 2025 The Row showroom. Timeless. Intentional. Unbothered.
She wore a long, beige trench-style dress—structured yet fluid, with a tailored collar and buttoned front that nodded to utilitarian chic. The silhouette was columnar, elongating her frame without clinging. The fabric appeared to be a lightweight wool or cotton blend, matte and breathable, ideal for a late-summer evening in Los Angeles. Designer attribution remains unconfirmed at press time, though the minimalist aesthetic strongly echoes The Row’s DNA.
Sydney Sweeney just rewrote the rulebook—again—this time swapping Christy’s wrestling ring for a sartorial knockout at the Variety Studio during TIFF 2025, where tweed met sheer audacity (and a corset refused to stay hidden).
Sydney Sweeney doesn’t just wear clothes; she weaponizes them. At the Variety Studio during the Toronto International Film Festival , the actress unveiled a look that was equal parts power suit and provocateur’s manifesto. Styled by Molly Dickson , Sweeney’s ensemble began as a classic gray tweed blazer—until the twist. Literally. A deep plunge neckline, knotted just below the bust, gave way to an exposed sheer corset, its boning a defiant centerpiece. The matching low-rise trousers elongated her frame, but let’s be real: all eyes were on that midriff, where the corset’s architectural lines played peekaboo through the tweed’s structured facade.
The Paris Texas Lidia Slingback Pumps —sharp as a paper cut—anchored the look, their pointed toes echoing the razor’s edge between corporate and carnal. No bag, no fuss, just a single statement: This is what happens when tailoring gets a thrill.
Outfit Focus: The Corset, Unshackled
- Fabric & Texture: The tweed blazer, traditionally the domain of stuffy boardrooms, was subverted with a sheer, boned corset—its black straps and vertical seaming a stark contrast to the heathered gray. The juxtaposition? Like a Wall Street wolf in a glass cage.
- Silhouette: The blazer’s twist detail and deep V neckline created an optical illusion, as if the suit itself was unraveling to reveal the corset beneath. The low-rise trousers, wide-leg and fluid, balanced the rigidity above with a whisper of ‘70s insouciance.
- Designer Moxie: While the designer remains unconfirmed, the look channels the cyber-femme fatale energy of brands like Blazé Milano or Nensi Dojaka —masters of merging severity with skin.
- Accessories: Minimalism reigned. No jewelry, no distractions—just those Lidia Slingbacks , their slender straps a quiet exclamation point.
Sweeney’s corset obsession is well-documented. From the blush pink Erdem gown at the Christy premiere (September 5) to her butter yellow stunner in August, she’s made it clear: 2025 is the year undergarments became outerwear. But she’s not alone. Heidi Klum and Leni Klum flaunted matching sheer corsets this summer, while Sofia Vergara paired hers with jeans, and Rihanna turned the Met Gala into a masterclass in bump-and-boning.
Is this the death of demure? Or just the logical endpoint of an era where celebrity fashion thrives on transparency—both literal and metaphorical?
