Victoria Justice wore red feather and fur ensembles for the Santa Darlin’ 2025 holiday-themed fashion photoshoot.

For the Santa Darlin’ 2025 holiday editorial , Victoria Justice delivers a dual-look narrative that fuses celebrity photoshoot-coded glamour with fashion spread-coded festive theatricality . The shoot unfolds across two distinct outfits, each rooted in a different register of holiday-coded excess.

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Hailee Steinfeld wore a Stephane Rolland Spring 2025 couture gown for her Governors Awards photoshoot in November 2025.

For her Governors Awards 2025 photoshoot , captured by Carly Jean Sharp , Hailee Steinfeld delivers a moment of celebrity photoshoot-coded sculptural drama reframed as fashion spread-coded tonal precision . She wears a Stephane Rolland Spring 2025 couture gown , a black masterpiece of architectural layering and sheer feather-like detailing. The upper bodice features translucent panels with pointed, winged motifs , while the lower half transitions into a fitted, embellished skirt that pools into a voluminous train — a silhouette that reads as both fluid and monumental.

The styling is anchored by Chopard Diamond Precious Lace Earrings and a Chopard ring , which punctuate the look with high-jewelry-coded clarity. Though not visible in the image, the ensemble is completed with D’accori Belle sandals , as confirmed by provided context. The plain gray backdrop amplifies the gown’s sculptural presence, allowing its textures and contours to dominate the frame — a deliberate editorial choice that situates Steinfeld within a visual narrative of studio portrait-coded couture realism .

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Natalia Dyer wore a lace ensemble and a satin gown for the HERO Magazine Winter 2025 editorial photoshoot by Fabien Kruszelnicki.

For the Winter 2025 editorial in HERO Magazine , captured by Fabien Kruszelnicki , Natalia Dyer presents a dual-look narrative that fuses celebrity photoshoot-coded intimacy with fashion spread-coded tonal storytelling . The shoot unfolds across two distinct outfits, each rooted in a different emotional register and visual language.

In the first look, Dyer reclines on a green couch in a cream-colored lace ensemble , styled with pale pink MIU MIU ballet flats . The outfit’s delicate texture and soft palette evoke a sense of studio portrait-coded domestic nostalgia , amplified by the retro interior — red carpet, mustard pillows, sheer curtains — that frames her like a memory. The lace detailing and relaxed pose suggest a deliberate retreat from performative glamour, opting instead for beauty shot-coded softness that feels both curated and candid.

The second look, captured through the reflection of an ornate mirror, features a flowing golden satin gown . The fabric’s sheen and drape introduce a mood of high fashion-coded cinematic elegance , while the mirror’s floral border and angled composition create a layered visual metaphor — Dyer as both subject and observer. Her seated pose, one arm resting on the mirror’s frame, signals a quiet tension between presence and introspection, making the image feel like a still from an unreleased film.

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