Virginia Novello ignites the Imagen Awards red carpet in a brilliant lapis lazuli blue gown, featuring a dramatic high-slit and a stunningly jeweled plunging neckline—a breathtaking moment of maximalist glamour.
Attending The Imagen Foundation’s 40th Annual Imagen Awards in Beverly Hills on August 22, 2025 , Virginia Novello chose a look that was both powerfully feminine and dazzlingly glamorous. Her gown was a vivid study in deep jewel tones and strategic sparkle, commanding attention the moment she stepped onto the red carpet.
The dress is cut in a vibrant, almost electric, royal or lapis blue that immediately sets it apart. The fabric, which appears to be a fluid jersey or stretch crepe, drapes elegantly over the body, emphasizing a flattering, elongated silhouette that trails into a slight train. The main drama, however, is reserved for the cut and detailing. The gown features a single, sweeping high-slit that begins high on the thigh, allowing for both movement and a powerful visual line.
The neckline is the true focal point. A deep, plunging V-cut is outlined and filled with an intricate pattern of silver or sapphire-toned beading and embellishments . This geometric, lattice-like sparkle provides the effect of built-in jewelry, drawing the eye upward and offering a stunning contrast to the solid matte blue of the main dress. The gown is supported by delicate, matching blue beaded spaghetti straps.
Avantika ignites the Tory Burch show during New York Fashion Week Spring/Summer 2026 in September, debuting a chartreuse knit dress that perfectly encapsulates the polished, softly ruched power dressing of the moment.
The front row at the Tory Burch Spring/Summer 2026 show during New York Fashion Week is always a showcase for the brand’s contemporary aesthetic, and on September 15, 2025 , Avantika delivered a pitch-perfect interpretation. Her ensemble was a stunning commitment to monochrome, proving that a single, unexpected color can make the loudest statement.
The actress commands the frame in a lime-green or chartreuse dress that expertly marries structure with movement. The garment appears to be a fine-gauge knit or a lurex blend, flecked with subtle shimmer that catches the light and adds a dynamic texture. The top half is styled like a relaxed collared shirt , complete with a button placket and generously voluminous sleeves that are cuffed back at the wrist. This casual upper half flows into a fitted pencil skirt that hits just below the knee, creating a polished, ladylike silhouette. Crucially, the mid-section is expertly ruched , adding flattering visual interest and elevating the piece from a simple knit into a sophisticated, intentional statement.
The accessories chosen serve to anchor the bright, light quality of the dress. Avantika carries a structured white shoulder bag or clutch, the crisp white leather and subtle gold hardware providing a clean, contemporary contrast against the vibrant green. On her feet, she wears chic black pointed-toe pumps secured with thin ankle straps , which lend a delicate yet grounding darkness to the lower half of the look.
Avantika’s jewelry is minimal but impactful: a bold white cuff bracelet mirrors the color of the bag, while a pair of large, gold drop earrings catch the light. Her hair is styled in glossy, loose waves, and her makeup—a polished lip and a well-defined eye—is kept classic, ensuring the focus remains squarely on the daring color choice.
After seeing this, one has to wonder if this specific shade of glittering green will be the one to rule the celebrity fashion scene for the season.
Posing for People Magazine in 2002, Bynes delivers the quintessential off-duty, American look—trading high fashion for timeless denim and garden tranquility.
The essence of early 2000s celebrity style often resided in the candid, aspirational casualness of magazine features—a vibe perfectly captured by Amanda Bynes in her 2002 photoshoot for People Magazine . Set against a lush, overgrown garden backdrop, the images trade overt glamour for an effortless, approachable charm, emphasizing the enduring power of American denim heritage .
The key visual thread is simple, classic separates. In one frame, Bynes sits on a weathered wooden bench, pairing a vivid cherry-red camisole top with a dark-wash denim mini skirt . The contrast between the rich primary color of the tank and the deep indigo of the skirt is quintessential early-aughts. The skirt, which appears to have visible stitching and likely a low-rise cut (a non-negotiable silhouette of the time), is styled simply, proving that quality pieces require little ornamentation.
Another set of photographs captures Bynes in a tire swing, leaning into an even more relaxed aesthetic. She pairs a fitted navy or dark purple T-shirt —its short sleeves and slightly cropped length highlighting the era’s penchant for showing a subtle sliver of midriff—with mid-wash, full-length jeans . These jeans showcase the wide-leg or subtle flare silhouette that dominated the millennium, moving gracefully over her feet. The lighting is natural and bright, enhancing the tousled, natural feel of her long, straight brown hair.
In both iterations, the styling is noteworthy for its intentional lack of accessories—a significant departure from the maximalist trends of the time. Aside from a simple wristband in one shot, Bynes is barefoot , a choice that amplifies the carefree, outdoor mood and the theme of natural ease. The focus remains on the clean cuts of the denim and the bold simplicity of the brightly colored tops. The attitude is playful and entirely genuine, anchored by her wide, open smile.
This series acts as a compelling reminder that the roots of lasting style lie not in fleeting trends, but in the reliable pairing of classic denim and basic, well-fitted tops. It’s a look that feels refreshingly accessible even two decades later.
Does a casual, barefoot celebrity photoshoot signal ultimate confidence or simply a desire to escape the red carpet frenzy? We think it might be both.
