Xochitl Gomez wore a structured red gown with matching pointed heels to the Wonder Man launch event in Hollywood on January 22, 2026.
The red carpet matched her dress almost perfectly — same hue, same energy. Xochitl Gomez stood centered against the black backdrop, framed by the bold yellow Wonder Man lettering. The effect was clean, intentional.
The gown itself, sculptural and unforgiving, formed heavy folds near the neckline that extended into angled shoulders — like controlled wings. It wasn’t soft, not meant to be. The cut hugged through the waist and fell straight, neither dramatic nor relaxed, just firm, confident. Matching red stilettos anchored the look with quiet precision.
Hair was sleek, pulled back with a side-swept bang softening the geometry. Her makeup stayed minimal but defined: strong liner, warm rose tones, a neutral sheen on the lip. The jewelry — small hoops, one or two rings — stayed understated, letting the dress carry the power conversation.
Annabelle Wallis was seen filming Mercy in Los Angeles on January 23, 2026, wearing a navy Staud Joan Maxi Dress and tan sandals.
There’s no red carpet here, just a pale city wall, sunlight, and two people caught mid-moment. Annabelle Wallis stands beside an actor in uniform, smiling up at him with that off-camera mix of warmth and concentration that only happens on set.
Her outfit is simple but deliberate — a navy Staud Joan Maxi Dress , button-front and long-sleeved, the fabric moving cleanly down to her ankles. The color keeps her grounded against the concrete and shadows. You can see the faint structure of the collar, the relaxed waist fit giving the piece quiet authority. At her feet, light-toned Manolo Blahnik Iacopo Double Band Sandals peek beneath the hem, grounding the look without upstaging it.
Hair is undone, blonde waves sliding over the shoulders — polished, but not too much. Makeup is faint, touched just enough for the camera. She looks fully present, not styled for glamour but for realism — the kind that film sets rely on when life has to look effortless.
Nell Fisher wore a sleeveless beaded black dress with lace-up boots for her appearance on The Tonight Show Starring Jimmy Fallon on January 22, 2026.
Backstage blue walls, steady studio light, that casual waiting-before-the-cameras mood. Nell Fisher stands relaxed, one foot slightly ahead, fingers clasped at her waist — the nervous-energy stance of someone very young but fully self-possessed.
Her dress is black, covered in a scatter of white-silver embellishments, precise like fireworks stilled mid-blast. The cut is sleeveless, high-necked, the beadwork tight up top and looser near the hem. It’s a piece that doesn’t ask for drama — it already holds its own rhythm. Below, thick black tights and lace-up boots cut the shine down to earth. That pairing gives it grit, makes sure the sparkle doesn’t float away into make-believe.
Hair down, soft and parted; makeup light — a rosy lip, bright eyes, nothing forced. The look reads fun but grounded , very much a teenager on a late-night show who still looks like herself.
This is what modern youth red-carpet style has evolved into: sincerity dressed up. Less about impressing the adults, more about feeling comfortable amid the glitter.
