Zanna Roberts Rassi wore a bright red sculpted long-sleeve gown with a gathered waistline to the 2026 Grammy Awards red carpet.
At the 68th Annual Grammy Awards , Zanna Roberts Rassi proved that sometimes boldness isn’t loud—it’s clinical. She slipped onto the red carpet in a hyper-contoured crimson gown , the kind of red that doesn’t flirt with pink or orange—just red. Primary. Clean. Uncompromising.
The silhouette was smooth and slim with long sleeves that blended seamlessly into the body, almost surgical in execution. Tension hits at the waist, where the fabric gathers tightly at the center, pulling the material into subtle pleats. Not dramatic volume—just a quiet manipulation of shape. The slit at the hem , front and center, moved vertically with purpose, not seduction.
The neckline sat high. Not quite a mock-neck, not a crew. Just… calm. It left space for a single chunky chain necklace —gold, minimal, heavy—hovering right on the collarbone like punctuation. Her hair, a sharp platinum bob , was parted hard to the side and ironed so flat it looked carved. She kept the makeup restrained: smooth complexion, a hint of rose in the cheek, lips matte and matching the gown’s intensity. The effect? Power. But clean.
She finished with matching red pointed pumps , barely visible at the hem, height without flash.
The fashion verdict ? Streamlined dominance. This look didn’t scream—it stared.
Hailey Bieber wore a custom Alaïa strapless black gown with sheer paneling and silver jewelry at the 2026 Grammy Awards.
At the 68th Annual Grammy Awards , Hailey Bieber leaned into classicism—with just the faintest pulse of rebellion. She arrived in a custom Alaïa strapless gown , long and liquid, sculpting her frame without flashing it. A narrow silhouette, no trick seams, no disruption. Just long black fabric that pooled gently at her feet.
The subversion was in the fabric choice— sheer side panels curved low down the thighs, creating subtle shapes without outright exposure. The lines were clean, bordering on clinical. No ruffles, no shimmer, no cutouts—just a single Alaïa logo medallion anchoring the top center of the bust, small but deliberate.
A pair of Alaïa leather D’Orsay pumps (black of course) added height without distraction. Jewelry stayed sharp: a chunky silver necklace with geometric weight from Lorraine Schwartz , paired smartly with a matching pair of earrings and her Solow & Co. oval diamond engagement ring tucked into the styling like punctuation you might miss unless you were looking hard.
Hailey’s hair was pulled back in a slicked, center-parted bun. Face sculpted. Brows focused. Lip: matte, rich, just shy of vamp. Not too soft, not too loud. This wasn’t a dress screaming for clicks. It was posture. It was restraint.
The fashion verdict ? Precision elegance. A red carpet moment that says: I could do loud—but I won’t.
Keltie Knight wore a sparkling gold embellished cutout gown with a thigh-high slit at the 2026 Grammy Awards red carpet.
At the 68th Annual Grammy Awards , Keltie Knight embraced full-lens glitter. No tricks. No distractions. Just shimmering skin and fabric so gold it nearly blurred into the brass railings behind her.
She wore a sharply cut asymmetric sequin gown , built entirely in high-shine rose-gold embellishments that scattered light like a disco ball mid-spin. One shoulder was left bare, the other draped just enough to anchor a slashed neckline that met low in the sternum at a precise vertical slit—not quite daring, but definitely calculated. Then came the cutout waist , carved below the ribs, and the hip-high slit that drew a direct line from bodice to carpet.
The training hem—minimal, but present—trailed behind like a glitter-dusted curtain in motion. Nude open-toe stiletto heels kept things lengthened without adding clutter. Jewelry was barely there. Smart move. The gown was the jewelry.
Hair was curled into soft, structured waves, tucked just enough behind one ear to frame the face without fuss. Makeup leaned understated—matte rose lip, bronzed cheek, clean lashes—giving everything the look of polish held just shy of overdone.
What made this look sit differently was its precision. There was no chaos in this chaos. Every opening, cut, and shimmer had been placed like geometry. Intention stitched in sparkle.
The fashion verdict ? Old-school red carpet motives, executed with modern bluntness. A gown that whispered “showstopper” in a tone so confident, the crowd already knew to stop.
