Zara Larsson wore a sparkly blue layered costume with sheer sleeves during her live concert in Helsinki on November 26, 2025.
On November 26, 2025, Zara Larsson took the stage in Helsinki, Finland, delivering a high-energy performance in a sparkly blue costume that fused theatrical drama with pop precision. The look featured a layered skirt and sheer, flowing sleeves that caught the stage lights with every movement. A large screen behind her mirrored the live feed, amplifying the visual spectacle.
Anya Taylor-Joy wore a black knit crochet dress with Aquazzura Olie Sandals at the Marrakech Jury Press Junket on November 29, 2025.
At the Jury Press Junket during the 22nd Marrakech International Film Festival in Paris on November 29, 2025, Anya Taylor-Joy arrived in a rare archival piece: the S/S 2001 Christian Dior by John Galliano black knit crochet dress , paired with Aquazzura Olie Sandals and Tiffany & Co. Inside-Out Hoop Earrings . The look, captured mid-wave on a stage-like setting, balanced runway heritage with media-facing clarity.
Elsa Hosk wore a Saint Laurent fur-trimmed leather coat with Miu Miu sunglasses on November 29, 2025.
On November 29, 2025, Elsa Hosk shared a mirror selfie in a winter-ready ensemble that fused alpine nostalgia with urban polish. She wore a Saint Laurent animal-free fur-trimmed leather coat layered over a cream cable knit V-neck sweater with collegiate stripes, paired with light blue jeans. The look was completed with Miu Miu Enigme sunglasses and a black smartphone in hand.
The Saint Laurent coat anchors the outfit with sculptural volume and tactile richness, its exaggerated fur trim evoking 1970s après-ski glamour reinterpreted for city streets. The cable knit sweater introduces softness and heritage-coded comfort, while the striped neckline adds a collegiate accent that subtly disrupts the otherwise neutral palette. Miu Miu’s Enigme sunglasses inject a dose of futuristic edge, their oversized silhouette balancing the coat’s heft. The absence of visible jewelry keeps the focus on texture and proportion. This is not a maximalist look—it’s a study in winter layering that privileges silhouette over embellishment.
