Zara Larsson leans into hyper-femininity with a twist—her RANGE Fall 2025 cover is all pink power, gold drama, and unapologetic attitude (heels included).
Zara Larsson doesn’t just wear fashion—she weaponizes it. On the cover of RANGE Magazine’s Volume 14, Fall 2025 issue, the Swedish pop provocateur delivers a visual manifesto that’s equal parts glam and grit. Titled “Infinite Horizons,” the editorial feels like a runway moment caught mid-flight: poised, potent, and pulsing with movement.
Larsson’s ensemble is a study in contrast and control. She wears a sculptural pink outfit with gold accents that catch the light like molten metal. The fabric appears satin-based, with a high-sheen finish that amplifies every curve and contour. The silhouette is bold—structured shoulders, cinched waist, and a hemline that dares to flirt with the edge of editorial excess. It’s not just a look; it’s a declaration. While the designer remains unconfirmed at press time, the craftsmanship suggests a couture-level hand, possibly from a Scandinavian atelier known for architectural tailoring.
In a season where maximalism is making its way back into the mainstream, Larsson’s RANGE cover feels like a high-gloss rebuttal to normcore fatigue. It’s giving Barbiecore with brains, a nod to the resurgence of hyper-feminine aesthetics—but filtered through a lens of pop futurism. Think Thierry Mugler meets TikTok-era empowerment. And in the ever-evolving landscape of celebrity fashion , Larsson’s look lands like a glitter bomb in a sea of beige.
Julia Butters brought structured sweetness to SiriusXM’s NYC studios—her tweed two-piece was part Chanel, part schoolgirl rebellion, and entirely her own brand of cool.
Julia Butters may be young, but her fashion instincts are already razor-sharp. At SiriusXM’s New York studios on September 3rd, 2025, the actress stepped into the spotlight with a look that felt like a wink to heritage couture—filtered through Gen Z’s irreverent lens. It’s the kind of outfit that doesn’t scream for attention but earns it, stitch by stitch.
Butters wore a black-and-white tweed co-ord that balanced classic texture with modern tailoring. The fitted jacket featured structured shoulders and a zip-front closure, punctuated by a crisp white tie detail at the collar—a nod to prep-school polish, but with a twist. The matching skirt was cut short and clean, offering just enough edge to offset the traditional fabric. The tweed itself was tightly woven, with a subtle sheen that caught the studio lights like a whisper of glam. While the designer remains unconfirmed at press time, the silhouette and finish suggest a youthful take on Chanel’s legacy—think Miu Miu meets downtown Manhattan.
Her black high-heeled sandals added height and a touch of minimalism, letting the tweed do the talking. No jewelry cluttered the look, which felt intentional—this was about texture and shape, not sparkle. The SiriusXM backdrop, with its repeated logo and cool-toned lighting, gave the whole scene a media-day crispness. Butters stood poised, hands relaxed, gaze direct. There was no overacting here—just presence.
For more moments like this—where youth meets polish and personality—explore our archive of celebrity style .
Gracie Abrams channels quiet chaos—half domestic, half surreal—in POP Magazine’s Autumn/Winter 2025 issue, where spaghetti meets subversion and celebrity style gets a moody remix.
Gracie Abrams has never been one for loud declarations. Her fashion moments tend to whisper rather than shout—but in POP Magazine’s Issue 53, that whisper becomes a kind of sartorial scream. Shot by Torbjørn Rødland, the cover captures Abrams mid-bite, spooning pasta from a pristine bowl with the kind of melancholic intensity that feels more arthouse than editorial. It’s a portrait of intimacy, yes—but also of curated contradiction.
Outfit Focus Abrams wears a black knit sweater with a pale blue ribbon motif that loops across the chest like a half-forgotten gift. The fabric is matte, almost absorptive, and the silhouette is boxy but softened—think Comme des Garçons filtered through a suburban lens. The ribbon detail adds a touch of whimsy, but it’s not saccharine; it’s the kind of visual punctuation that makes you pause, then reconsider. There’s no visible branding, which feels intentional—this isn’t about logos, it’s about mood.
Explore more moody, off-duty looks in our curated archive of celebrity style .
