Zara Larsson stars in a fashion photoshoot for Hunger Magazine, showcasing multiple styled shoot concepts with editorial precision.
In Hunger Magazine’s Issue 37, Zara Larsson delivers a celebrity photoshoot that fuses pop icon energy with avant-garde editorialism. Shot by Rankin, the December 2025 spread is a visual manifesto—each look a distinct mood, each pose a declaration. Larsson’s presence is magnetic, her styling choices bold, and the overall composition unapologetically high fashion.
Look One: Crimson Fringe Provocation
Look Two: Silken Spotlight Romance
Look Three: Metallic Blue Futurism
Kylie Minogue wore a glossy red latex dress with matching gloves for OK! Magazine UK December 2025 cover shoot.
For the December 2025 cover of OK! Magazine UK , Kylie Minogue channels a festive glamour that’s equal parts cheeky and cinematic. Shot against a candy-pink backdrop adorned with swirling gold stars, the Australian pop icon reclines in a high-gloss red latex dress , paired with matching opera-length gloves and red heels . The styling is unapologetically theatrical, evoking a retro pin-up sensibility with a modern twist—think Betty Grable meets Studio 54 . A small blue gift box with a red ribbon adds a playful contrast, functioning as both prop and punctuation mark in this holiday tableau.
The form-fitting silhouette and mirror-like sheen of the latex garment speak to a deliberate embrace of synthetic glamour—a visual language Kylie has long mastered. Her voluminous, side-swept hair and confident gaze reinforce the image’s editorial sharpness, while the overall composition flirts with kitsch without tipping into parody. This is not just a celebrity photoshoot ; it’s a studio portrait engineered for maximum seasonal impact.
What elevates the shoot beyond surface-level sparkle is its embedded narrative. In the accompanying interview, Kylie reflects on her sun-drenched Australian Christmas traditions— barbecues on the beach , sunscreen instead of snow , and the joy of reconnecting with nature in her country home. She also discusses her festive album Kylie Christmas (Fully Wrapped) , which includes new tracks like XMAS and Office Party , and a duet with her sister Dannii. The editorial cleverly juxtaposes this warm, familial sentiment with the high-fashion artifice of the shoot, creating a layered portrait of a woman who is both grounded and glam.
Her commentary on career versus personal life adds further depth: Kylie acknowledges the difficulty of balancing ambition with intimacy, noting that her true place of respite is with family—yet she also feels at home on stage. This duality is mirrored in the shoot’s aesthetic: the latex and lights suggest performance, while the relaxed pose and nostalgic holiday motifs hint at personal reflection.
Tessa Thompson wore a Schiaparelli Fitted Jacket and Pencil Skirt for the LA Times Women in Film Issue, December 2025.
For the LA Times Women In Film Issue, December 2025, Tessa Thompson delivers a celebrity photoshoot moment that channels the power and precision of modern couture. Captured in a velvet-draped studio portrait , Thompson wears a cream Schiaparelli Fitted Jacket with a deep V-neckline and bold, sculptural gold buttons—an unmistakable nod to the house’s surrealist heritage. The jacket’s sharp tailoring is balanced by a matching Schiaparelli Pencil Skirt , creating a streamlined silhouette that is both classic and forward-thinking. The monochrome palette allows the intricate details—like the statement buttons and the subtle structure of the fabric—to take center stage.
