Zendaya wears a sleek pinstripe vest and pants in Louis Vuitton’s Speedy 2026 fashion photoshoot, styled around the house’s iconic monogram bag.
In the Louis Vuitton Speedy 2026 campaign, Zendaya leans into pinstripes and body language. That’s it. Tension in her elbow. Chin anchored against her hand. And a stare—measured, maybe a little sly. She’s seated in what looks like caramel suede. Her dark pinstripe vest hugs just so, the placket trimmed in white piping that reads as both tailored and pajama-adjacent. One gold button. No attempt to balance it out. The matching slacks (just a peek, enough to confirm a uniform) are part of the point: this studio photoshoot lets the bag do the talking.
And the bag—a monogrammed Speedy, of course—sits dead center, proud, unafraid of its own logo-heavy skin. Handle folded, zip tucked, shape stiff like it hasn’t yet forgiven TSA. That balance of reliable and ridiculously styled works because Zendaya happens to fit both moods. Jewelry is kept minimum: a geometric pendant necklace, a chunky signet ring, and that’s it—intentional minimalism orbiting maximal branding.
In terms of fashion photoshoot archetypes, this is haute-lite: not quite power suiting, not quite vacation packing. It slides somewhere in between. It’s corporate fantasy with a curl over one eyebrow—and she makes it look like the smartest thing you could wear on your day off.
Jenna Dewan wore a sheer lace corset top and white wide-leg pants to the Borrowed Spotlight remembrance event in Los Angeles on Feb 3, 2026.
At the Borrowed Spotlight remembrance book exhibition in Los Angeles on February 3, 2026 , Jenna Dewan walked the understated carpet in a delicate mix of softness and structure. Her event appearance leaned quiet, but not forgettable. The look: a sheer white corset top , all swirling lace and off-shoulder asymmetry, hinting at sculpture more than seduction. Light hits the top just right—revealing floral patterns stitched into the transparency like they were meant to blur memory and skin.
Paired with it: clean-cut wide-leg trousers in a soft ivory rather than strict white. Loose, maybe intentionally a little long at the hem, as if brushing against earth was the goal. Minimal accessories. Natural waves brushed across one shoulder, middle-parted with intention but no drill-sergeant polish. Makeup sat in that sweet, middle register—warm tones, no drama.
At an event rooted in history and mourning, this felt like the right kind of presence. She didn’t over-style. She didn’t underthink. This wasn’t about fashion show guest energy or dominating camera flashes. It was still, restrained—maybe even reverent.
The fashion verdict ? Confident restraint. The tension between sheer material and solemn context could have made the look feel mismatched—but it didn’t. What she wore wasn’t loud—it just listened. And in a space built for memory, that’s the loudest thing you can do.
Margot Robbie wore a sheer floral corset and leather pants while arriving at the BBC Radio Studios in London on February 4, 2026.
On the chilly pavement outside BBC Radio Studios in London , February 4, 2026, Margot Robbie made celebrity street style feel like a mood board waiting to be duplicated. She walked in wearing a sheer printed corset top —a delicate tangle of rose and beige florals, fitted tight, dipping low at the neckline, rising in the middle like armor masquerading as lingerie. Beneath: Dilara Findikoglu’s Rushing Hour jeans , fitted through the thighs, flared toward the ankle, and cut with gothic buckles climbing the seams like half-armor, half-night-out fantasy. A black leather trench coat , folded across one arm, barely keeping up. And in that hand? A Dilara Findikoglu box bag , stiff and crimson, all harsh metal hardware and ’90s rebellion energy.
On her shoulder: soft waves. No hair tie, no fuss. On her face: Gentle Monster x Maison Margiela cat-eyed lenses that flicked just enough Y2K back into the room, surrounded by tourists and taxis. Feet encased in Paris Texas snake-embossed pumps , shined but not hyper. And a hint of sparkle snuck in with Jessica McCormack ruby heart hoops , barely catching light under her hair.
This wasn’t a red carpet. It was a walk. An off-duty look , but barely. Every piece was designer. But nothing looked like it came straight from a stylist’s rack. This is 2026’s version of model off-duty —built on references, angles, contradictions. She’s wearing a corset and combat denim like it’s just a Tuesday errand, and somehow, that’s the entire point.
