Zoë Bleu wore four striking outfits for Numéro Netherlands February 2026, blending bold gowns, tailored suits, textured knits, and feathered drama.
Zoë Bleu steps into the Numéro Netherlands February 2026 editorial with four looks that feel like different chapters of the same story.
First: a deep burgundy strapless gown , shiny and heavy, somewhere between satin and leather. The bodice is tight, the skirt full. It’s dramatic but not fussy. If you ask me, the tousled hair keeps it from tipping into costume territory.
Second: a gray oversized suit with a lace top peeking out. The proportions are exaggerated, almost clumsy, but then those bright red heels cut through the neutrality. I’ll say it — the shoes save the look. Without them, it’s just fabric swallowing her frame.
Third: a black dress covered in long white feather‑like fringes . It’s messy, tactile, almost chaotic. Tattoos visible, hair pulled back loosely. This one feels raw, like a fashion photoshoot idea that doesn’t care about polish. The best part? The contrast — black base, white fringe, skin and ink all colliding.
Fourth: a beige knit outfit , loose sleeves, long drape, cozy but styled. Sitting low, crouched, tattoos showing again. It’s softer, calmer, almost domestic compared to the others. And that’s why it works — it’s the pause between louder notes.
Together, the four outfits show range: glamour, tailoring, chaos, comfort. What I love is that none of them chase perfection. They’re lived‑in, imperfect, and that makes them stick.
Closing thought: the feathered black dress is the one that lingers — like static electricity caught mid‑movement, strange and unforgettable.
Miriam Petche wore three contrasting outfits for Squaremile Magazine January 2026, mixing sleek black layers, edgy leather, and casual knitwear with bold styling.
Miriam Petche appears in Squaremile Magazine’s January 2026 editorial shot by Craig Gibson, and the styling runs across three very different moods.
First look: a black fitted top paired with floral sheer tights and pointed heels . It’s sharp, minimal, almost severe. The tights add texture, breaking the monotony. If you ask me, this one feels like a studio portrait idea that’s all about line and detail.
Second look: a black leather blazer layered over a high‑neck top, with patterned fishnet tights and knee‑high boots strapped with buckles. It’s modern, edgy, and a little aggressive. I’ll say it — the boots do all the talking here. Without them, the blazer risks looking too safe.
Third look: a light brown cardigan , partly unbuttoned to show midriff, paired with dark pants and a waistband labeled “Aaron Bradley.” It’s casual but styled, softer than the others. The cardigan feels lived‑in, almost careless, and that’s why it works.
Together, the three outfits show range: sleek, tough, relaxed. What I love is that none of them chase glamour — they sit closer to everyday grit, styled but not polished.
Closing thought: the leather blazer with buckled boots is the one that sticks — like armor dropped into a quiet room, blunt and unforgettable.
Emma Roberts wore a checkered faux fur jacket, blue jeans, and white loafers to The One Party by Uber in San Francisco on February 6, 2026.
Emma Roberts didn’t come to serve high drama — and that’s exactly why it worked. At The One Party by Uber in San Francisco on February 6, 2026, she showed up dressed like she owned her own softness and didn’t need to scream to be seen.
She wore a checkered faux fur jacket in shades of espresso and cream — boxy, cropped, and seriously plush in texture. The pattern was bold but not cartoonish, the kind that holds up on a camera flash background. Underneath? A crisp white T-shirt , tucked casually into mid-wash straight-leg jeans . Clean. Reliable. The kind of denim that skips the trend cycle entirely.
Then the extras: sleek white loafers with silver hardware, a folded oversize black clutch , and her hair parted down the middle in a tight low bun. No earrings. No loud makeup. Nothing jangly.
It’s the kind of event appearance that quietly hits. No pageant glam, just strong textures stacked with control. The jacket does the work , and the rest just rides with it.
She walked in like it was someone else’s spotlight — and still stole the frame standing still.
