Zoey Deutch wore a Michael Kors Collection Cap-Sleeve Sequined Shift Gown at the 2026 Astra Film Awards in Los Angeles.
Arriving at the 2026 Astra Film Awards in Los Angeles on January 9, Zoey Deutch presented an image of sophisticated restraint, opting for a Michael Kors Collection Cap-Sleeve Sequined Shift Gown. The dress itself, a black column of meticulously applied sequins, offered a high, almost architectural mock neckline and subtle cap sleeves. Her hair, pulled back, showcased small, luminous stud earrings, adding a whisper of sparkle without competing with the garment’s inherent shimmer.
This appearance feels like a deliberate pivot, perhaps signalling a more mature phase in her public aesthetic. It’s a quiet authority, a stark contrast to some more flamboyant red carpet choices. This specific look, for instance, speaks to a contemporary desire for glamour that doesn’t scream, but rather glows with an understated confidence – a quiet luxury moment for the awards circuit that doesn’t shy from texture. It’s a statement about presence, less about overt display. For more on such considered choices, one might delve into the broader tapestry of celebrity style.
The Michael Kors Collection gown, while covered in sequins, manages to exude an almost minimalist elegance. The loose, straight silhouette resists any form-fitting urge, allowing the fabric’s movement and light refraction to become the main event. It recalls a certain 1960s sensibility, a shift dress elevated by sheer, unadulterated sparkle, yet updated with that severe, high neckline. The genius here lies in its simplicity; nothing is complicated, nothing is over-styled. The dress alone does the talking, a shimmering, dark void that somehow catches every eye. It’s an act of sartorial subtraction that still manages to be utterly captivating.
Hailey Bieber wore a silver Armani Prive Spring 2009 couture dress at the 2026 WWD Style Awards in Santa Monica, California.
Hailey Bieber showed up at the 2026 WWD Style Awards in Santa Monica, January 9, looking calm, almost casual, but in a way that’s hard to pull off. The dress–Armani Prive, Spring 2009 couture–clings to her frame, silver and textured, with a ruffled hem that just barely flirts with the idea of old Hollywood. The neckline is deep, but not loud. Her hair is parted down the middle, straight, tucked behind one ear. Earrings catch the light, but nothing feels forced. Black open-toe heels, simple. No fuss.
There’s a sense of ease here, like she’s not trying to impress anyone. The whole thing feels more like a nod to the past than a chase for attention. Vintage, but not in a costume way. The celebrity style crowd will notice the archival pull, but most people will just see a woman in a silver dress, standing on a red carpet, looking comfortable in her own skin.
The Armani Prive dress is sharp, metallic, and fitted–almost like armor, but soft at the edges. It’s not a look that shouts. It’s more of a steady hum, confident and a little bit cool. The styling is stripped back, letting the dress do the talking. No overdone makeup, no elaborate hair. Just Hailey, the dress, and a bit of shine. Sometimes, that’s enough. Sometimes, that’s the whole point.
Zoey Deutch attended the Film Independent Spirit Awards Nominee Brunch in Los Angeles on January 10, 2026, wearing a Dolce & Gabbana blazer with a short skirt.
Los Angeles, January 10. Zoey Deutch standing on tiled floor, backdrop repeating logos of Film Independent Spirit Awards, Lavazza, and The London West Hollywood. Outfit crisp, white blazer fitted, skirt short, sharp lines. Black pointed heels grounding the look.
Her look: structured but playful. The Dolce & Gabbana wool single breast blazer carried authority, while the skirt added lightness. Accessories minimal, but the Celine shiny calfskin clutch bag in hand gave polish. Hair neat, makeup balanced, presence steady.
