Zoey Deutch posed for Justin Bettman during the BAFTA Tea Party in Los Angeles on January 10, 2026, wearing a cream textured blazer styled with minimal accessories.
Renate Reinsve wore a cream oversized blazer and skirt with black accessories at the 2026 BAFTA Tea Party in Los Angeles on January 10.
Renate Reinsve at the 2026 BAFTA Tea Party in Los Angeles, January 10. She’s standing on a gray carpet, purple wall behind her, not fussed. The outfit is sharp–oversized cream blazer, big shoulders, big buttons, sleeves a little long. Underneath, a matching cream skirt, full and heavy, cut high on one side. The black collar is huge, almost cartoonish, poking out from under the jacket. Black clutch, black pointed pumps, black sunglasses. Her hair is pulled back, a few loose strands. No earrings, just a couple of chunky rings.
It’s a look that feels a bit off-kilter, in a good way. Like she’s playing with proportions, not afraid to look a little odd. The skirt swishes, the jacket hangs, the shoes–Le Seul Camellia Pump in Raffia, if you’re keeping score–are simple but not boring. There’s a kind of studied awkwardness here, a refusal to be too pretty or too perfect. The whole thing is more editorial than red carpet, more fashion photoshoot than party. For those who follow celebrity photoshoot trends, it’s a reminder that sometimes the best style is the one that doesn’t try too hard to please.
She wears Sabyasachi High Jewellery Earrings, a Sabyasachi High Jewellery Necklace, and a Sabyasachi High Jewellery Ring–each piece adding a quiet glint, not fighting for attention but there if you look. The shoes, though mostly hidden by the dress, are Le Silla Satin Platform Pumps, a detail for those who care about the full inventory.
There’s a sense of control here. Not trying to be the center of the universe, just holding her own space. The whole thing feels like a late-night city street: a little dangerous, a little glamorous, but mostly just real. For those who track celebrity style , it’s another reminder that Lopez knows how to use a dress and a handful of diamonds to say what she wants, without saying much at all.
The gown’s beadwork is intricate, but the effect is simple: movement, shimmer, a bit of drama. It’s not a fairy tale, not a costume. Just a woman in a red dress, standing under bright lights, looking like she’s got somewhere better to be. The night moves on, and so does she.
