Zoey Deutch wore a white pleated gown with black beaded fringe at the 83rd annual Golden Globe Awards at the Beverly Hilton in Beverly Hills.
Zoey Deutch at the 83rd annual Golden Globe Awards, Beverly Hilton, Beverly Hills, January 11, 2026. She stands on the red carpet, hands folded, gaze steady, not a hint of nerves. The dress is a study in contrast–white, pleated, floor-length, with a deep V neckline and a small keyhole cutout at the waist. The bodice is simple, but the waist is cinched with a thick black beaded band, dripping with fringe that falls over the skirt like a curtain of midnight. The skirt pools behind her, soft and weightless, moving with every step.
Her hair is parted in the middle, styled in soft waves, tucked behind one ear. Makeup is minimal–just a little glow, a little gloss, nothing heavy. Dangling earrings, a slim bracelet, no necklace, no fuss. The whole look is clean, but not cold. The black beading adds just enough edge to keep it from feeling too sweet.
This is a look that leans into old Hollywood, but never feels like a costume. The gown is all about movement and light, but Zoey’s styling keeps it modern–no extra sparkle, no wild hair, just a sense of ease. For those who follow red carpet fashion , it’s a reminder that sometimes the best move is to let the fabric and the details do the talking.
She could be anywhere–a gala, a dinner, or just lost in the crowd. Tonight, she’s here, and the fringe does all the work. No need for extra drama, just a little contrast and a lot of presence.
Rose Byrne wore a black cropped zip-up shirt and wide-leg trousers at the BAFTA Tea Party at Four Seasons Hotel Los Angeles in January 2026.
Rose Byrne at the BAFTA Tea Party, Four Seasons Hotel Los Angeles, January 10, 2026. She stands against a purple wall, one hand in her pocket, the other relaxed, not a hint of nerves. The look is sharp– black cropped shirt , short sleeves, subtle pinstripes, a zipper down the front. The hem hits just above the waist, showing a sliver of skin. The pants are wide, high-waisted, pooling at the ankles, almost swallowing her shoes. No belt, no wild accessories, just a single ring and small earrings.
Her hair is straight, parted to the side, cut to the chin–sleek, no fuss. Makeup is soft, a little blush, lips a muted rose, eyes defined but not heavy. The whole thing feels easy, a little androgynous, a little bit “model off-duty.” No drama, no sparkle, just clean lines and a sense of comfort.
Selena Gomez wore a black velvet Chanel gown with a white feathered off-shoulder neckline and retro waves at the 83rd Annual Golden Globes 2026.
On the red carpet at the Beverly Hilton, Selena Gomez turns steady and composed–no chaos, no swirl of excess. Her custom Chanel gown , stark in black velvet, rises straight from floor to shoulder before exploding in a cloud of white feathers that look less ornamental and more like movement caught midair. The neckline cuts across bare skin, glossy in the light, a line that feels deliberate, exact.
Hair cropped into tight retro waves , parted deep, brushed to mirror shapes from 1930s Hollywood portraits–shiny, sharp, sculptural. The oxblood lip matches the hair’s reflective darkness, while her brows anchor the look in now. Everything sits in balance: feathers and fabric, light and weight, old restraint and new irony.
There’s no heavy jewelry tugging at her frame. Just minimal sparkle from the earrings, maybe Dior-inspired in structure but likely Chanel Couture in detail. Hands gloved in tone? No–bare, nails jet-black, echoing the velvet. It’s pure Gomez energy–chic under pressure, direct, unbothered.
The overall effect: glamour held at arm’s length. A look that both remembers and rejects the old red-carpet script, standing quietly in its contradictions. Feathers, yes–but the kind that belong to someone grounded.
