Zoey Deutch wore a white Dolce & Gabbana wool single-breast blazer and mini skirt at the 2026 BAFTA Tea Party in Los Angeles.

At the 2026 BAFTA Tea Party in Los Angeles on January 10, 2026, Zoey Deutch arrived in a crisp and efficient monochrome look by Dolce & Gabbana . The ensemble — a fitted wool single-breast blazer styled with a matching mini skirt — mixed formality with a straight-to-the-point energy. The structure of the jacket, with its tailored waist seams and slight peplum line, balanced the daring hem of the skirt. Professionalism meeting rebellion, quietly.

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Her shoes, Larroude x Nicolo Beretta Inna Mules in Black Satin , cut clean angles against the pale tone of the outfit. A Celine Shiny Calfskin Clutch Bag completed the look with stealth luxury, held simply in hand. She kept accessories minimal, hair parted down the center, makeup light with just enough sheen on the lips to echo the muted flash of her clutch.

There is nothing loud about this red carpet fashion moment — it carries precision, not drama. Zoey Deutch’s white blazer look speaks corporate but whispers cinema.

Zoey Deutch attended the Film Independent Spirit Awards Nominee Brunch in Los Angeles on January 10, 2026, wearing a Dolce & Gabbana blazer with a short skirt.

Los Angeles, January 10. Zoey Deutch standing on tiled floor, backdrop repeating logos of Film Independent Spirit Awards, Lavazza, and The London West Hollywood. Outfit crisp, white blazer fitted, skirt short, sharp lines. Black pointed heels grounding the look.

Her look: structured but playful. The Dolce & Gabbana wool single breast blazer carried authority, while the skirt added lightness. Accessories minimal, but the Celine shiny calfskin clutch bag in hand gave polish. Hair neat, makeup balanced, presence steady.

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Marta Pozzan wore a sleek black satin halter dress paired with sheer tights and strappy heels at The Hollywood Reporter Spotify Event 2026.

At The Hollywood Reporter and Spotify Golden Week Nominees Night in West Hollywood on January 8 2026, Marta Pozzan brought back precision dressing in black. The gown — a sculpted satin halter design — curved through the bodice like fine architecture, opening into a soft A-line hem that stopped just above the ankle. It reflected light sparingly, more whisper than shine. The texture called to mind mid-century couture, where fit carried all the glamour.

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