Zoey Deutch appears in L’OFFICIEL USA’s December/January 2026 issue, styled across multiple expressive looks that fuse retro elegance, editorial clarity, and high fashion precision.
In the December/January 2026 issue of L’OFFICIEL USA , Zoey Deutch delivers a multi-look editorial photographed by David Roemer , fusing celebrity photoshoot-coded tonal elegance with fashion spread-coded compositional sharpness , captured in a series of portraits that oscillate between sculptural softness and retro surrealism.
The cover features Deutch in a yellow buttoned sweater and dark trousers , seated against a rich blue backdrop — a composition rooted in studio portrait-coded chromatic contrast . The pose is poised yet relaxed, signaling a deliberate embrace of beauty shot-coded tonal restraint , where simplicity becomes a vessel for editorial clarity.
Inside the spread, Deutch transitions into layered narratives: reclining on a leather couch in a brown knit top over a white shirt , paired with a dark blue pleated skirt and brown belt , she evokes styled shoot-coded cinematic softness , where texture and posture drive the visual rhythm.
Another frame shifts into playful retro: seated in a blue office chair with legs extended across a desk , she wears a white top , red pants , and black heels , surrounded by vintage props — a rotary phone, yellow ball, and mini television — introducing fashion photoshoot-coded nostalgic surrealism .
In a grounded moment, she sits on a blue carpet in front of a leather couch, styled in a black velvet top with white collar , loose blue pants , and black shoes , creating a look rooted in editorial-coded emotional fluency .
The final look features Deutch in a dark plaid jacket , white skirt , and black ankle boots , seated in a stylized office setting with a green apple and rotary phone on the desk — a nod to photoshoot ideas-coded architectural minimalism , where fashion and space collaborate to evoke mood and narrative.
Irina Shayk appears in Vogue France’s December–January 2025/2026 issue, styled across multiple sculptural and editorial looks that fuse cinematic edge with high fashion clarity.
In the December–January 2025/2026 issue of Vogue France , Irina Shayk delivers a multi-look editorial that fuses celebrity photoshoot-coded architectural sharpness with fashion spread-coded tonal discipline , captured in a series of portraits that oscillate between sculptural minimalism and cinematic tension.
The cover features Shayk in a black satin blouse with a deep neckline and a black leather mini skirt , posed closely with another figure in a sleeveless top and jeans. The composition is rooted in studio portrait-coded spatial intimacy , where proximity and contrast drive the editorial’s emotional rhythm.
Inside the spread, Shayk transitions into a bold staircase pose wearing a black leather belted jacket with voluminous sleeves , matching leather shorts , and transparent wedge heels . A textured black scarf draped over one shoulder introduces styled shoot-coded kinetic drama , while the industrial setting amplifies the look’s beauty shot-coded urban fluency .
Another frame shifts into behind-the-scenes softness: seated in a salon chair, Shayk wears a red cropped top and blue jeans , her hair in curlers while a stylist works around her. A black dog rests on her lap, grounding the scene in photoshoot ideas-coded candid realism , where preparation becomes part of the narrative.
In a mirrored moment, she appears alongside another model in matching black leather jackets , white tops , and light blue jeans , both styled with pink hair rollers and white heels , seated in a minimalist set with visible cords — a nod to editorial-coded backstage fluency , where fashion and process coexist.
Benedetta Porcaroli appears in GQ Italia’s November 2025 issue, styled across multiple expressive looks that fuse cinematic softness, editorial clarity, and high fashion precision.
In the November 2025 issue of GQ Italia , Benedetta Porcaroli delivers a multi-look editorial photographed by Alessia Gunawan , fusing celebrity photoshoot-coded tonal elegance with fashion spread-coded compositional tension , captured in a series of portraits that oscillate between sculptural softness and cinematic realism.
The cover features Porcaroli in a dark long-sleeve top with a white collar , paired with a light-colored skirt , leaning forward with hands on knees — a pose rooted in studio portrait-coded spatial control . The warm beige backdrop and soft shadows reinforce the editorial’s beauty shot-coded tonal restraint , allowing her gaze and posture to anchor the visual rhythm.
Inside the spread, Porcaroli transitions into layered narratives: seated in a wooden chair against a paneled wall, she wears a beige jacket , white patterned shirt , and black skirt , holding a folded purple accessory with a contemplative expression. The lighting casts a dramatic shadow, introducing styled shoot-coded emotional depth .
Another frame captures her mid-stride in a light pink dress layered over a blue collared shirt , paired with black stockings . The ribbon-tied waist and motion blur evoke fashion photoshoot-coded kinetic softness , where urgency and elegance coexist.
In a final look, she stands in a stylized interior wearing a green polka-dot top , plaid skirt , and brown knee-high boots , framed by wooden panels and a purple carpet. The composition reads as editorial-coded architectural fluency , where texture and silhouette drive the narrative.
