Zoey Deutch wore a relaxed oversized black suit to host a special CAA screening of “Pillion” in Los Angeles on February 5, 2026.
The tailoring was wide all over — relaxed shoulders, loose arms, long blazer hem almost down to mid-thigh. Underneath? No bright blouse or glammed-up cami. Just black on black. The pants matched the energy: generously cut, drop-waisted, and pooling ever so slightly over a pair of black pointed heels that just peeked from the fabric.
No accessories fighting for airtime. No flashy hair moment. Just a soft wave and a tucked part. The nails were nude, her stance was grounded, the whole thing breathing calm confidence. It wasn’t trying to be high fashion — and that’s why it looked so good.
This kind of event appearance feels honest. No red carpet theatrics. Just someone hosting her own film screening looking smart, casual, and totally uninterested in overcompensating.
Kate Hudson wore an embellished satin Erdem dress and Zanotti mules to the 78th Annual Directors Guild Awards in California on February 7, 2026.
There’s no chasing trends here — just a clean, sharp return to red carpet precision. Kate Hudson attended the 78th Annual Directors Guild of America Awards in Beverly Hills on February 7, 2026 , wearing a look that knew exactly when to dial it back and when to hit hard.
The dress? Erdem’s embroidered textured satin midi pencil dress , off-the-shoulder, fitted through the waist and hips, with a demure length that still felt striking. The base fabric was an inky black satin, but the surface was dotted in dimensional jewel-like embroidery — scattered gold and crystal embellishments that caught the flash and threw it right back.
Shoes stayed out of the way but did their job. Giuseppe Zanotti Intriigo mules , black with the open toe, sleek enough to hold the look together without overcomplicating anything down low.
Hair was pulled back — not tightly, but smoothed with enough polish to elevate the neckline. And makeup stayed neutral but glowy. We’re talking skin-first, highlight in the right place, no lip drama.
No thigh-high slits. No structural tricks. No “statement” earrings the size of saucers. Just exact styling, careful fit, and weight in the right places. It worked because it wasn’t performing for social media — it was dressed for the room.
Kate Middleton wore a brown Catherine Walker coat and Gianvito Rossi pumps to meet the Archbishop at Lambeth Palace on February 5, 2026.
No one does solemn and chic at the same time quite like her. Kate Middleton met with the Archbishop of Canterbury and Dame Sarah Mullally at Lambeth Palace in London on February 5, 2026 , layered in a refined monochromatic brown look that felt traditional, but still completely current.
The centerpiece? A bespoke chocolate brown coat by Catherine Walker — fitted in the shoulders, tapered at the waist, and cut just long enough to match the elegance of the occasion without dragging. Underneath, a textured Edeline Lee Jete midi dress , also in brown, with a tonal belted waist and a lightly flared hem giving the shape just enough volume.
Chocolate suede Gianvito Rossi pumps grounded the look, keeping everything on the same tonal plane. Jewelry stayed close to the classics: the Cartier Trinity earrings , a Daniella Draper gold heart necklace , and her signature Garrard sapphire engagement ring , plus a mix of diamond eternity bands that tell her story more than the look itself does.
Hair? Worn long, waved, but brushed back behind the shoulder — controlled. Formal enough. Nothing fell out of place, and nothing needed to.
This is restrained styling at its finest — polished, defined, wearable. It’s textbook event appearance done the Middleton way: regal, but practical.
